The all-new Hollywood Reporter offers unprecedented access to the people, studios, networks and agencies that create the magic in Hollywood. Published weekly, the oversized format includes exceptional photography and rich features.
The Hollywood Reporter
Fighting for Those Who Can No Longer Fight for Themselves • The director of Paramount+’s Last Flight Home reveals how capturing her father’s final moments has turned her from filmmaker to ‘death with dignity’ activist
Small Parts, Big Performances • THR’s awards analyst takes a look at the stacked race for guest actor in a drama
Ted Lasso’s Phil Dunster • The English actor reflects on the show’s three seasons of Jamie Tartt and his singular story arc
Yes, I Did Say That! • Who’s saying what in the Emmys race
‘It Was Like Being the Master Painter’ • Oscar-winning actress and all-around trailblazer Marlee Matlin talks about her first directorial experience and creating an inclusive environment on the set of the Fox anthology series Accused
‘Life in Full Color Is No Fucking Joke’ • Somebody Somewhere star, writer and exec producer Bridget Everett on how the show has helped her work through her personal life
MULTIHYPHENATES ON CAMERA AND BEHIND IT • These TV stars also work behind the scenes of their comedies, fulfilling writing and directing duties
REALNESS IN AN OCTOPUS, GIANTESS AND SPACE CRASH • VFX supervisors of Andor, The Boys, She-Hulk and Star Trek: Picard on blending live-action sequences with CG while making sure everything onscreen stays grounded in reality
LOVE DURING THE APOCALYPSE • The Last of Us editors Timothy Good and Emily Mendez did not feel any hesitation when tasked with editing the adaptation of the popular PlayStation game: ‘I’ve never read anything like that in my life’
THE CLICKS AND SCREAMS OF ALIENS, ORCS AND THE INFECTED • Sound supervisors on three hot sci-fi and fantasy series reveal how they created crafty creature vocalizations
MASTERING A MUSICAL • The teams behind three shows describe their techniques for hitting all the right notes
THE MAKING OF CURIOUS CREATURES • Guillermo del Toro’s Cabinet of Curiosities prosthetics department head Sean Sansom and makeup designer Mike Hill discuss the enormous task of creating the monsters for the Netflix series
SEEING DOUBLE • Cinematographer Laura Merians Gonçalves on how Rachel Weisz was able to play twin gynecologists in one frame in Prime Video’s Dead Ringers
THE MANY MOODS OF TV’S ZOOMER FASHIONS • The costume designers behind Ms. Marvel, Only Murders in the Building, Shrinking and The White Lotus imagined their Gen Z characters’ self-expression (or lack thereof) to be as chaotic as the contemporary era in which they live
HOW THE OSCARS CELEBRATED CINEMA AND ITS CRAFTS • Alana Billingsley and Misty Buckley were tasked with handling the production design for the 2023 Academy Awards. Now, they tell THR of their approach: ‘It was essentially a love letter to cinema’
AN SNL LEGACY LIVES ON • A production design nomination for the NBC sketch series would be the 18th for late production designer Eugene Lee, with the show since its 1975 pilot
Movie Mayhem on the Small Screen • True crime revisited, a proto predator and a gleefully trashed rock biopic number among the buzzy TV movies that populate the Emmys race this season
Carol Burnett in Better Call Saul • The legendary actress, who has various accolades to her name, should be considered a strong Emmy contender for her supporting role
Highlighting Who History Overlooked • A dance sequence in Starz’s Blindspotting uplifts the women of the civil rights movement
The Ewoks Gave Star Wars a Taste of Emmys Glory